诱饵
类型:剧情 / 地区:英国 / 年份:2019
主演:西蒙·谢泼德,特里斯坦·斯特罗克,Mary,Woodvine,艾萨克·伍德文,爱德华·罗
导演:马克·詹金
更新:2025-03-21
简介:
康(kāng )沃尔渔村的风(fēng )景明信(xìn )片田园诗(shī )误导(dǎo )(
康(kāng )沃尔渔村的风(fēng )景明信(xìn )片田园诗(shī )误导(dǎo )(🃏)了人(😘)们。虽然过去钓鱼是一种养家(jiā )(🆖)糊口的(de )方(fāng )式,但如今富有的伦敦游客纷(fēn )(⏬)纷(🎲)下山(shān )(❣),取代了(📼)当地人,当地(dì )人(🔸)的生计(jì )(🤷)因此(cǐ )受(🎡)到(dào )威胁(xié )。史(shǐ )蒂文(wén )和(hé )马丁兄弟(🚥)的关系(🛺)也很紧张。马丁(dīng )是(✖)一(🙁)个(😻)没(méi )有船的渔夫(fū ),因(yīn )为史(shǐ )蒂文开(⏺)始用它(📎)来(🧚)为一(🔩)整天的游客提供更赚(🔢)钱(❔)的(de )旅游。他(tā )(🌊)们卖掉了这座家庭别(bié )墅,现在看来,最后一场战(💪)斗(⛓)是和(⏰)新主人在海(hǎi )边的停车位上展开。然(👺)而,情况很快就失(shī )控了(le )(🧣),而不仅仅(👣)是因(yīn )为车(chē )轮夹钳。Bait是一种黑白(😊),手工制作,16毫(háo )米(mǐ )胶(🃏)片(🌪)制作(🌼)的电影(yǐng )(📟)。许多关于鱼、网、龙虾(🤔)、长靴、绳结和渔篮的(📸)特写镜(👵)头让人(rén )想起了蒙太奇景点的理论。对(duì )(🐖)不同社会阶层的描(miáo )述——可以说是阶(jiē )级关系—(📤)—(🚻)也让人(rén )想起(qǐ )了(le )英(👩)国(guó )电影中的社(✖)会现(💑)实(🎴)主义传统。然而(ér ),最重要的(🔮)是,在影像中不同(tóng )层次的电影(yǐng )历史参考(kǎo )(🐅)文献(🏡)之下,当前许多(duō )政治关联正在(♊)等待(dài )(🔍)被发(fā )现(xiàn )。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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