主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康(🌠)沃尔(🔨)渔村的风(fēng )景明信(📒)片(🏽)田园(yuán )诗误导了人们。虽然过去钓(diào )鱼(yú )是(🎺)一种养家糊口的方式，但如今富有(💤)的(de )伦敦(📿)游客纷(⏬)纷下山(shān )，取代(dài )了(le )(📼)当(dāng )地人，当地人的(👑)生计因此受到威(🕯)胁。史(💆)蒂文和(🥄)马丁(🚉)兄弟的关系(xì )也很紧张(zhāng )(🥞)。马丁是(✖)一个(😻)没有(yǒu )船的渔(yú )夫，因(yīn )为史蒂文开始用它来为(wéi )一整天的(de )游(yóu )客提(tí )供更赚钱的旅游。他们卖掉了(💻)这座家庭别墅，现在看来，最后一场(chǎng )战斗(dòu )是和(⏰)新(xīn )主(🍄)人在海边的停车位上展(⛳)开(kāi )。然(rán )而，情况(🎋)很快就(jiù )(🐀)失控了(le )，而不(bú )仅仅是(🗳)因(🤘)为车(chē )轮(lún )夹钳(💔)。Bait是一(yī )种黑(hēi )白，手工制作(zuò )(🌹)，16毫米(🤷)胶片制作的(🚶)电影(📟)。许多关于(yú )(🏒)鱼、(💿)网、(🐡)龙虾、长靴、绳结和渔篮的特写镜头让(ràng )人想起了蒙(🔞)太奇景(jǐng )点的(de )理(🔙)论。对不同(🖍)社(shè )会阶层的描(📞)述——可(🎐)以说(🔲)是(👛)阶级关系(🎦)——也让(ràng )(🔪)人想起了英国电影中(zhōng )的社会现实主(😉)义传统。然而(ér )，最重要(yào )的(de )是，在影像中不同层次(cì )的电影(yǐng )历(lì )史参(😲)考文(⛅)献之下，当(🙅)前(qián )许(xǔ )多政治关联正在等(👆)待被发现(xiàn )。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.