主演：西蒙·谢泼德 特里斯坦·斯特罗克 Mary Woodvine 艾萨克·伍德文 爱德华·罗
导演：马克·詹金
类型：剧情
地区：英国
年份：2019
简介：康(kāng )沃尔渔村的风景明信片(🏽)田园诗(🔼)误导了人们。虽然(🔱)过去钓(diào )鱼是一种养家糊口的(de )(🛤)方式，但如(rú )今(jīn )富有(💤)的(😧)伦敦(📿)游客纷(⏬)纷下山，取(qǔ )代(dài )了当地人(🖲)，当地人(rén )的生计因此受到威(wēi )胁。史蒂(✳)文和马丁兄弟的(de )关系也很紧张。马(😚)丁(dīng )是一(🙁)个(😻)没有船(chuán )的渔夫，因为史蒂(dì )文(wén )开始用它来(🧚)为一(🔩)整天的(📯)游客提供更赚钱的旅游。他们卖掉(🥔)了(le )这(zhè )(🗞)座家庭别(✋)墅，现在看来，最后(hòu )一(yī )场战(zhàn )斗是和新主人(⛏)在海边(biān )的停(tíng )车(🚻)位(wèi )上展开。然而(⛳)，情况很(🥕)快就失控了(le )，而不仅(🌮)仅是因为车轮夹钳。Bait是一种黑(🦇)白，手工制(zhì )作，16毫米胶片制作(🌼)的电(💹)影(yǐng )。许(xǔ )多关于鱼、网、(🐡)龙虾、(📧)长靴(😙)、绳结和渔篮(lán )的特写(xiě )镜头让(ràng )人(🥅)想(xiǎng )(🐞)起了蒙太(tài )奇(qí )景(jǐng )(📐)点的理论。对不(bú )同(🖍)社会(💣)阶(🔥)层的(de )描述——(🚽)可(🎐)以说(🔲)是阶级关系(xì )——也(yě )让人(rén )(🐂)想起了英(👩)国(guó )电影中(❓)的(📬)社会现(xiàn )实主义传统。然而，最重要(yào )的是，在影像中(🔍)不同层次的电影历(💛)史参考文献之下，当前(qián )(🛃)许(xǔ )多政治关联正在等(děng )待(dài )被(🏗)发现。The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata –(🎁) one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.